Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Wednesday, 26 November 2014

When The Lion Called: Eight Years On

Eight years ago, on 26 November 2006, I nervously clicked on the "register" button for the online forum of a website called The Lion's Call, little knowing that it would change my life. I was fairly new to the world of the internet, my family having only gotten a dial-up connection at home in the January of that year. This was before the days of Facebook (at least it hadn't yet become a "thing", although MySpace was popular with my friends) and I was highly suspicious of signing up to anything that required giving out email addresses and other details. But this website, which I had been browsing recently, seemed like a friendly and safe site and it made clear that it was a Christian site and there were strict rules about minors being allowed to join and what could and could not be posted. I decided to risk it. In retrospect, I was a bit like Lucy Pevensie, taking those first cautious steps through the wardrobe into a woodland of snow and a great adventure.

The Lion's Call website (TLC) was created by Kristi Simonson for fans of C.S. Lewis' Chronicles of Narnia series and, apart from the discussion forum (which was what I was signing up to join) it had other interesting features including a character builder, some simple games, and write-in threads like "you know you're addicted to Narnia when...". The forum in those days was small and mainly involved discussions relating directly to the Chronicles of Narnia books, The Lion the Witch and the Wardrobe film (which had been released just less than a year before) and speculations about the Prince Caspian film that would follow it. I think the first thing I ever posted on the forum was a comment on a discussion about what became of Susan Pevensie after the events of The Last Battle, something I had been thinking about a bit in the last year. The ideas I had had about that became the germ of my (still ongoing) fan fiction story about Susan, which one of the TLCers was to convince me to start four years later. After joining the forum, it became a regular ritual to visit the site when I got a chance and read and comment on the latest discussions.

In February of the following year, I started University and I would often visit TLC when I was dropped off early in the mornings before the library had opened and the computer LANs were not yet busy (few people had their own laptops in those days). As the years passed, the website grew, and the forum became larger and more active. We found that many members had more in common than just our interest in Narnia and we started discussions on other topics including other fantasy worlds (especially Tolkien and Middle Earth) and faith and religion. We also had many members who were budding writers of fiction or poetry and so forum threads started on discussing writing, and people would share whatever they were working on. The site developed well beyond Narnia and became a real community where people felt safe sharing even personal issues.

I had known from the start that the site also had a chat room, but I never went anywhere near that part of it. Chat rooms were dangerous and "evil"; my parents wouldn't approve and you weren't allowed visiting chat rooms on the university computers in any case.

But then in December 2010, four years after I joined, there were posts on the forum about a planned Day of Prayer to be held in the website's chat room. Enough things had changed by this point that I felt confident enough to venture into the chat room to join the prayer session: and by now I knew that I could trust the people on the site. Also, earlier that year we had finally upgraded to broadband internet at home and I now had my own netbook computer. I was also a whole lot older and (theoretically, at least) two degrees wiser.

Joining chat opened up a whole new chapter in my life. These people with whom I had only communicated remotely (by reading and responding to forum posts, often overnight, because of time differences) I could now "chat with" (using text) in real time. I also hadn't realised, but in the last year or so more and more of the discussions had moved over from the forum to the chat room (which would explain why the forum had become more quiet than it had been). More importantly, I got to know the other members on the site at a deeper level because we could ask and respond to more personal questions in a less formal and less public setting.

I joined TLC chat at a critical period of my life. I had been applying for scholarships to Oxford and the TLC community had played a large part in encouraging me through that process and praying for me (even before I joined chat). Being the shy, reserved person I am, this online community gave me a safe place to share my concerns and struggles (I had always been better at articulating my thoughts in writing than in speech).

In June 2011, I joined Facebook for the first time. By now, it had been confirmed that I was going to Oxford, and I wanted to be able to keep contact with my friends and family in South Africa. By this time, TLC, had developed something of a presence on Facebook as well and through that and private messages I became Facebook friends with some of the TLCers (cautiously, and only with those I trusted, because on TLC itself we were encouraged not to divulge private details). And for the first time the window was opened onto the "real lives" of many of my TLC friends - I got to learn their real names, see what they really looked like and learn a bit more about their lives outside of TLC.

Picture by Lily of Archenland
When I moved to Oxford, I was privileged to meet two TLCers in real life: a British girl, and an American lady, who was visiting the UK with her husband. I got to stay at the home of the British girl on a number of occasions and we have since become good friends.

It's impossible to describe all the things that have happened in these past eight years, but I wouldn't have missed them for the world. I am now a staff member on the website and editor for our news team. The social, spiritual and intellectual blessings gained from being part of the TLC community is something that can't be measured. I am eternally grateful that I clicked on that "register button" all those years ago.

Saturday, 21 July 2012

The Silver Chair: Chapter 9

Food fit for a feast
    "But more than thirty champions...have at one time or another set out to look for the lost Prince, and none of them have ever come back..."

“Not bad for a day's hunting,” sighed the young giant Rufflemutton as he surveyed the day's haul. “I've seen better, but then I've seen worse.” He glanced over at the pile of deer, boar and fowl carcasses that lay not far from where they rested. They would return early today, as preparations for the feast began in earnest.

“No talkin' beasts this year,” sighed his companion Wafflepotter. “This early cold snap, 'as chased them down south it 'as,” he continued.

“Aye,” nodded Rufflemutton, “At least we will have man pies this year. It's never a proper feast without them.” His friend nodded.

“Unusual for her ladyship to send children, though,” put in Wafflepotter after a moment's thought.

“Better than no men, as we've had these last three years,” countered the first, “I was expecting a'nothing again. Unusual for them to arrive so late too.”

“Indeed,” said his friend, “And that creature with them. Never seen th' likes of 'im before.”

The first shook his head, “Mollywater tells me it's called a 'waggle' or some such. Says they're not known to be tasty, but she's found a recipe that will make him quite a pleasant treat. Said she'll save a mouthful for me, since first choice goes to the royals.” He lowered his voice as he said the last, so as not to be overheard by the royals in question.

“Aah, 'tis an advantage ye be friends with the cook then,” said Wafflepotter with a smile.

“I remembers a time when we'd have man pie every year. And a plenty to go around. The green lady seems to have lost her touch these last years.”

“Aye, that or the menfolk 'ave become more cautious,” added the second.

“Remember that great year, must be near on ten years ago, she sent so many men to our doorstep, we had man pie not only for the harvest festival, but well into the winter too. That was a good year.”

Wafflepotter nodded as he remembered.

“We'd 'ave plenty a' talkin' beasts too, back then,” he added, “And not just the usual game: badgers, bears, mice and squirrels. A couple o' fauns too. They was tasty. Apparently there was a centaur once. Would 'ave made a rare treat, but alas 'e got away.”

“Although...we had to fight for the pleasure back then,” remembered said Rufflemutton, “Those men came armed and dangerous. Me old man still has a scar on his calf from the wound one made as he tried t' bring him down. Succeeded in the end, he did, but that wound plagued him for a long time after.”

“More strange that this year, the lady did send us mere children, and a girl too. 'Twere not many women-folk among those who came in the past.”

“No not many. It's made it easier though. They seem to suspect nothing. That frog-creature, the waggle, is more dangerous I do think. Good thing we got him drunk last night, or he might've been on to us. Strange as he is, I think he could be dangerous.”

“Not once 'e's boiling in Mollywater's pot,” added Wafflepotter. And both giants began to gufaw. Some of the other hunters looked over to them for a while, then lost interest and resumed their own conversation.

“Ya know,” said Rufflemutton then. “I remember a time b'fore it was custom to eat man pies at the feast. Giants are forgetful, we are, but I could've sworn when I was younger man pies were as rare then as they're becoming now. We'd have them as a treat should any wonder onto our doorstep, but they werin't so big a part of the festival as they are now. I spoke once to me older brother about it, and he says 'twas the green lady who introduced them as part of the feast about the same time they suddenly became plentiful in the area.

I believe you're right, though I'd about forgotten. Why, we was almost still kids aback then. I've always wondered why she's so interested in us and so keen to send us men. I wonder what she 'as t' gain from it?”

“Does make one wonder, eh...”

At this moment, their speech was disturbed as boy giant, who had not been on the hunt, came crashing through the bushes nearby. He was panting from a hard run. He announced that while he was polishing his weapons in his room, he had glanced out his window and seen the children and frog-creature going for a stroll in broad daylight. It might just be an innocent stroll, but he was worried they might have figured out what was to become of them, and were making an escape.

Best to be safe, agreed the king on this news. Their rest was cut short as they rounded up the dogs and returned to the castle with haste.

Tuesday, 17 July 2012

The Silver Chair: Chapters 3, 4 & 16

 The Seafarer's Last Voyage

This piece of writing was written for the TLC Summer Challenge 2012. It is a surmisal of what was going through Caspian's head the day he set sail on his last voyage from Narnia and of what might have transpired in his conversation with Aslan during that voyage. All characters and the events referred to are not my own, but come from CS Lewis' The Silver Chair or others of The Chronicles of Narnia series.

* * * * * *
 
Caspian felt old. So old. He had had a good reign, for many years, but the last few had been really hard. At last he was feeling the age which had been creeping up on him almost unawares. What had gone wrong? Why was it going to end so badly? It had been a long time since he last saw the Great Lion, and he wanted so desperately to see him again. Aslan was not a tame lion, he knew that, and it wasn’t often that Caspian had had the pleasure of meeting him face to face. But he desperately needed him now. He needed to speak to him, to ask him why. Why did it have to end like this?

It all started that May, ten years ago now, when his wife had been so cruelly and unexpectedly snatched from him. It had been such a beautiful morning and he had envied his young son and the courtiers who were to travel with her. His royal responsibilities meant he had to stay behind at the Cair, but he loved his wife and son too much to begrudge them these days of pleasure. It was not easy being the wife of the king, and Rilian would have enough experience bearing the burdens of the kingdom when his turn came.

When the news first came back of her death, Caspian felt as though his heart had been ripped from him. Drinian had ridden hard to bring the news in person and it tore at him in a way he hadn't thought possible. His dear bride, whom he had met on that journey to the Eastern Edge of the World so many years ago. Gone. As a young, adventure-hungry king, he thought when he had set out on that journey, that its purpose was to find the Lost Lords. Looking back, he realised that she was what he had really been searching for, and understood why he had not before been able to find a suitable bride.

The daughter of a Star. Few people in Narnia new this in truth. While rumours that the blood of stars ran in her veins abounded, only those who had been on the journey knew just how much this was the case. For her own safety, it had been kept that way. Being the wife of the king put her at risk enough of kidnap or death by enemies of either Caspian himself or Narnia. Knowledge that she was half-star would have made her all the more vulnerable. Of all the fears Caspian had had of how she might be taken from him, the last he expected was poison from a serpent. Yet that is what had happened.

He was always grateful for Drinian’s bringing the news ahead. It gave him time to deal with his grief, immense as it was, before the news was made public. When the party finally arrived carrying his fair Queen on that bier, he had been able to put up at least a front of composure. He knew he had to be strong in front of his subjects. Her death was their grief as much as his and he was expected to lead them by example. It took almost everything he had, but often when something almost impossible is required of you, you find you have the strength - for as long as necessary, anyway.

In private, he could drop the façade and grieve properly, which he did. Drinian and one or two of his other close friends had been there to help him bear his sorrow. It was difficult, but slowly he came to terms with what had happened, and life went on. Running the kingdom went on, and he had so many loyal friends around him that, though he never forgot, the ache in his heart was very often overwhelmed with love and friendship and the loyalty of his subjects.

Things had not gone so well with his young son. From the moment Caspian first saw the boy’s face as he marched home solemnly at the head of the bier, he knew that the child’s grief was worse than his own. Though he had always loved his son, and been so proud of his heir, their relationship had never been as close as that of the boy and his mother.

Those two had a special bond, perhaps for the starrish blood that they shared. But Caspian never envied them, as he realised the boy filled the gaps and brought her joy during times when Caspian’s responsibilities took him from her. And she cared for him and showed him love and attention far more than Caspian was at leisure to do.

The grief on the boy’s face was only the first sign that things were not well with his son. The boy’s behaviour changed markedly too. He was not only torn apart by grief, but bent on revenge. He became moody, lashing out at his servants and anyone who tried to get near him. He spent so much time away from the house, Caspian sometimes wondered if the boy felt partly responsible for what had happened.

Caspian tried speaking to him. But the young prince closed up as soon as he broached the subject. While they had never been exceptionally close, they had always been able to talk in the past: Caspian invested much time discussing with him the responsibilities of the kingdom and the trials and challenges a king has to face. But now it was like there was a wall between them, one Caspian had no idea how to breach.

Caspian had lost both his parents at a very young age. He barely remembered his father at all, and had a few vague but happy memories of his mother. He couldn’t really empathise with his son, though, as he hadn’t been old enough to know her as the boy knew his wife. He remembered his heartache when, some years younger than Rilian was now, his nurse and best friend had been cruelly removed, but he knew that not even that was comparison enough.

In despair, he gave up and hoped that in time things would blow over, the boy would come to terms with his mother’s loss, and life would go on. He asked Drinian to keep and extra eye on the boy (the two were close as it was) and left it at that.

Although Rilian continued his hunts for his mother’s killer, for a while, things did seem to get a little better. The sorrow began to fade from his face and he was willing to speak to Caspian about matters of court life again, though he refused to broach the topic of his mother.

Then it came, only a month later, though it had felt much longer; the week that brought Caspian’s second tragedy. He knew that first day when the boy came home, having been out all day, with his horse still fresh, that something was wrong. He had also seen something different in his face. Not the grief or weariness, but something new. And it frightened Caspian terribly. Drinian said he had seen that look before, on the faces of sailors who claimed to have seen visions; visions of great evil - of sea serpents more dangerous than that which had hounded the Dawn Treader all those years ago; more dangerous because there was something evil behind them - something magic.

Capsian brushed it off as sailor’s talk but he feared there was some truth in it. It had been suspected all along that it was more than poison which had killed his wife; that something magic had been at work then. Caspian had the horrible feeling he was dealing with something beyond his experience and for the first time began to wish desperately that Aslan would reappear.

Eight days later, the news of the boy’s disappearance came to him. It hit him harder than he would have thought possible. When Drinian asked for an audience with him and told him of their journey to the spring the day before, Caspian could hardly think straight. He felt an emotion he had never experienced before, at least not in this form. A black rage. As he turned his back on the man, he saw the battle-axe before him, beckoning him. Picking it up, he began to rush at Drinian, barely aware of what he was doing.

Then suddenly, everything began to slow in a whirl before his mind. He saw his wife on the bier, his son’s face. Then his son being brought to him, a new born infant. Then he was on Ramandu’s Island, and there was the tall girl in her blue mantle carrying the candle light. The light of the candle grew bigger until all he could see was the glow of orange and yellow. The colours swirled together and an indistinct figure began to solidify and become clearer. It was the face of a golden lion and it was roaring, baring its terrible teeth. The roar rose to a crescendo in Caspian’s ears. He suddenly came to himself and found he was bearing down on his friend with a battle-axe. He stopped, and threw the axe away as quickly as possible. He looked at the face of his dear friend and broke down.

“I have lost my queen and my son: shall I lose my friend also?” (He’d have lost more than his friend, he knew, but didn’t say this).

After the moment Caspian had seen Aslan’s face, everything became clear again. He remembered he had a kingdom to run, and while he missed his son bitterly, as he continued to miss his wife, he knew life must go on.

There was a chance that the boy was still alive, and so he allowed many champions to go in search of him. He was overwhelmed with the courage and loyalty of his subjects, especially when it became clear that this was a dangerous task. Those who set out were away for a long time and Caspian began to realise that they would likely never return.

He knew he had to do something about it. There was no guarantee his son was alive and for countless subjects to risk almost certainly getting captured, if not killed, for the sake of the boy, made no sense. And so, though it pained him to do so, he eventually issued the ban. No more searches were allowed.

More often now, Caspian began to wish Aslan would come and explain to him what should be done. He even wished that something miraculous would happen, like the Kings and Queens of Narnia of old reappearing, but he knew that was a wish in vain. The children only came when they were really needed. The loss of one boy was hardly equal to a curse of eternal winter, the oppression of the old Telmarine regime on the Old Narnians or even the loss of Seven noble Lords. Besides, he knew Peter and Susan were forbidden from returning and suspected the same was true for Edmund and Lucy after their last visit. The days of the Pevensie children were over.

The years wore on and again time began to make the aching less, and the affairs of the realm and his friends brought him joy. The land was at peace and Caspian was almost content. The only thing that worried him was the lack of an heir. Trumpkin was too old, as was Drinian. Though he had a handful of younger loyal Lords and Knights (those who had not been lost on the search for Rilian), none of them stood out as someone he could trust. He wished more and more that he could see Aslan again.

And then he heard of the sighting. A lion had been seen on Terebinthia. Whether or not it was Aslan, no one knew for sure. But Caspian had to know. And so the order was made and preparations begun for his journey.

The day had finally arrived bright and clear. He stood at the gang plank to bid farewell to his subjects. He knew that, if he did not find Aslan, and the Lion did not send him back, he would sail on. He wanted to see the Island where he had met his beloved again. Her father might even still be there, younger than last time; perhaps he would have advice for the king. But Caspian was tired of ruling and only his awareness of his responsibility held him to the people.

As he looked over at the loyal crowds, he tried to smile. Quite far back, and standing off to one side he saw two figures. They seemed like a young boy and a girl. They were talking to each other and not looking in his direction. There was something familiar about the boy, but he couldn’t place it.

Just then, Trumpkin came up in his donkey chair and he told him to take care of the kingdom well, to keep his head and (as a last thought) should Aslan or children from the other World miraculously appear, to do exactly what they said.

He then made a speech to the audience, thanking them for their loyalty over the years and assuring them that he hoped to come back with news from Aslan himself. Then he turned and made his way on board the ship.

This was it. As the ship began to make its way out into the open sea, he turned to look at the shrinking shoreline. Would he ever see Narnia again?

* * * * * *

Lord Regent Trumpkin, Lord Drinian and King Caspian X

* * * * * *
It was only the fifth day after setting out from Narnia, and they would soon reach the shores of Terebinthia. Caspian had wished to bypass Galma, but his advisors suggested they stop there as it would be his final voyage to his subject isles, and the people would appreciate seeing their king one last time. In a way he was glad of the visit. He had had opportunity to speak to many of his subjects, who thanked him greatly for his many years’ service, and they had held a feast in his honour that evening. Among those he met was an elderly woman, not many years younger than himself. Beneath her healthy but wrinkled skin, she bore the hint of feint freckles, and she wore a splendid pair of glasses that accented her hazel eyes. The daughter of Galma's previous duke, she was now married to a kindly doctor, whom he also met, and had served many years as his assistant nurse. Together they had been a blessing to many of the sick and injured of Galma.

Now they were back at sea, and Caspian sat in his cabin, staring at the gold lion head on the wall, praying that Aslan would grant that he see him one last time. As he sat there, the face seemed to come alive and he remembered of the last time Aslan had appeared to him at sea, near the World’s End. His heart began to beat faster.

“Aslan, is that you?” he managed to whisper.

The lion’s face was more life-like now, and he looked into its eyes. Last time those eyes had been full of disappointment and sorrow, so that it tore at the young king’s heart. This time, there was still sorrow, but of a different, gentler kind.

“Caspian,” said the head.

“Oh, it is you,” cried the old king, not bothering to hold back the tears - tears he’d refrained from shedding in front of his subjects for so long. He’d had so much he wanted to tell the Lion, but now that he was here, there were no words. And he realised words were hardly necessary.

“My son…” he finally managed, “My son is lost. He was lost to me before ever he vanished. He was lost the day my wife…” The king could not continue. He didn’t try.

He just looked at the Lion and saw in his eyes a sorrow deeper than his own. Nothing more needed to be said at that moment.

At last, the Lion spoke, “I know. I know it hurts. For your sake, I wish it could have been otherwise, but had I stopped the one harm, a worse would have befallen all of Narnia. It had to be this way. One day you will understand the reason why.”

“When?” asked Caspian, not with disrespect, but with the broken heart of a weary man, “I’ve waited these ten years, hoping to see reason - to learn why - how much longer before I can understand?”

Aslan looked at him with something that seemed like a mixture of pity and joy. “Sooner than you realise, my dear Caspian. Indeed, very soon now.”

Caspian realised there was something ominous in these words, yet at the same time his heart leapt with anticipation.

After another long silence, he asked the thing that was most on his heart, “Why my son, though? I could bear the loss of my wife, though I loved her more dearly than my own life. I knew always that the blood of the stars flowed in her veins, and would rather her departure was before mine than long after. But why the boy? Not yet come to manhood, with a kingdom to rule? Could not I have been taken in his place, and he be left to rule, to fall in love, to marry and to bear an heir to continue the line?”

Aslan growled slightly, not in anger, but admonition, at this. “You forget who the true king of Narnia is,” he corrected. “I would never leave her leaderless without reason. Sometimes I think you care too much for your line - your dynasty.”

Caspian dropped his head, fairly admonished, “You’re right, of course. Though I had not realised before now. What is my line in the scheme of history? You can raise up a new king when you need to. Why, you can bring a ruler from another world as before. Sometimes I forget that I come from a line of usurpers; conquerors. By all rights I should never have been king.”

“Narnia is ruled by the one I chose. Just as you appoint those who rule over your subject isles. I told you once that you come from a lineage with honour enough to erect the head of the poorest beggar and shame enough to bow the shoulders of the greatest emperor. That remains true.”

“It does, Aslan,” replied the King. “You speak the truth and I thank you for putting up with someone so forgetful and ungrateful as me.” There was another pause.

“But come. Now I have reminded you of your place, be of cheer. For your line will continue longer than you realise. Even now, I have sent children from the world of the High Kings and Queens of Old to rescue your son. He is not lost, but simply ensnared. He was lured away by the same creature that killed your wife. In the guise of a beautiful woman, she enchanted him and keeps him in her secret kingdom below the earth, forgetful of who he is. She has promised him a kingdom if he joins with her in conquest, not knowing that the kingdom she promises him is that which he should inherit by right.”

Caspian gasped. “Why do you tell me this? I would rather my grey head went to the grave thinking him dead, than knowing this awful truth.”

“Badly treated, yes,” responded Aslan, “But not harmed. He is still whole. And when the children I have sent, along with a faithful Marsh-wiggle, find him, they will free him fully of his enchantment. He will be fit to rule Narnia. These years of imprisonment have strengthened his character. The boy who was kidnapped would not have made a good king. He was young and unstable. His heart was full of revenge and bitterness. And even were this not so, you know better than most that it is no small task to rule a kingdom while still a child. The man that will return will make a good ruler. He will be gentle and just and Narnia will enjoy peace under his rule, which will begin sooner than he would want.”

Caspian understood what Aslan meant by these last words. He was not sad. He had lived a long life, and good, for the most part. Knowing that his son was alive and would soon be well, erased the only regret he had.

“I am ready,” said Caspian at last. “I thought I was ready, back on the voyage of the Dawn Treader, but my life was only beginning then. Now I want to see your country for real, knowing that Narnia has no further need of me.”

“You still have some time,” answered the Lion. “Command your sailors to turn sail and return to Narnia. You will arrive in time to bid farewell to your son.”

Until now, Caspian had been planning to continue his journey to the World’s End. But he realised now that it was not by that means that he would enter Aslan’s Country. He would take the short path. But he was content. He would see his son one last time. And then, he would go home.

Wednesday, 31 August 2011

Previous Winners

Liebster Awards Part III

I promise that this will be my last post in my Liebster award series. I wanted to draw attention to some of my other friend's blogs who had already won the award before I did. There isn't strictly a rule against re-awarding but I had decided to give mine to people who had not previously been awarded. So here is a list (grouped according to similarity) of previously awarded blogs.

Scribbles and Inkstains by Abigail Hartman
The Penslayer by Jenny Freitag
These sisters are both authors with one book published each and a couple more in the works. They have some very insightful and interesting posts on the craft of writing amongst other things. If any blogs are truly worthy of this award it is these two. Needless to say, they both have a gift for writing, be it in their novels or a simple blog post.

These are all blogs by some wonderful girls I know from TLC. In the style of my TLC friends, they include musings on writing, faith, life and other stuff. Each of them have a unique and special way of expressing themselves and a gift for creatively spinning words. All enjoyable reads.

Define "Weird" by Hudson
An Autumn Day by Autumn Elizabeth
WriterFreak101's Writing and Other Things by WriterFreak101 (aka Wilf)
These three are some of my newer and younger TLC friends. Hudson is one of the most gifted photographers I have ever met; visit his blog to be awed by his photographs, particularly some amazing ones of running water. Autumn is an avid blogger, with this, her photography-oriented blog being just one of many which she has and contributes to. Wilf is a very good friend of mine (and would have been awarded by me had he not been co-awarded with me by Liz). He is an avid writer (as you can guess) particularly of fanfiction relating to Narnia and Star Wars amongst other things.

Last but not least, I should mention again the blog through which I was awarded:
Imaginational Wonders by Elizabeth LW. A lovely combination of thoughts, pictures and crafts.

Illustration from http://mashable.com/ via http://lifeasahuman.com/

Monday, 29 August 2011

The Liebster Award


So, there's this award that's been going 'round blogger for a while. I know about it because a couple of my friends were recently given the award. I got really excited yesterday when one of my friends, Elizabeth L W, put my dear Hedgepickle Blog on her list of awardees :-).

For those wondering exactly what this award is all about:

"The goal of the award is to spotlight up and coming bloggers who currently have less than 200 followers." 

The rules of the award are:

1. Thank the giver and link back to the blogger who gave it to you.
2. Reveal your top 5 picks and let them know by leaving a comment on their blog.
3. Copy and paste the award on your blog.
4. Have faith that your followers will spread the love to other bloggers.
5. And most of all - have fun!"

Thanks so much Liz for giving me the award. It means a lot and I'm so excited to be able to pass it on to others. You can check out her lovely blog Imaginational Wonders which includes photographs, crafts, pieces on writing and personal reflections.

Wow...picking 5 blogs to award isn't easy. I have some really great blogger friends on here. There were a few I knew that I would award immediately. But then the challenge got tough for a number of reasons. Firstly, a number of the candidates I considered have already been awarded before and I had decided not to re-award anyone. There are also a few whom I would have loved to award because I know that their blogs will be very good in the near future (based on what I know of their other writings), but as they are currently rather new blogs, they don't have very many posts yet.

In the end, however, I was able to pick the five. I hearby bestow the Liebster Award on the following wonderful blogs...

1. Be Blessed by Nix
 
This blog belongs to my best friend from high school. She has a degree in Photography and uses her skills to make beautiful greetings cards. This blog showcases examples of her cards/photos and documents some of the craft sales and other events she has taken part in. It's worth a look just to gaze in awe of her beautiful photos. If you live outside of SA and are interested in buying any of her cards just enquire on the blog and she might be willing to make a plan.

2. Since I Found Serenity by Elspeth
 
This is a blog by one of my friends from TLC. It is relatively new but already has a good many posts. Her posts so far are chiefly about writing and personal reflections on life and faith. Her posts are enjoyable to read and she has a good way of thinking through and expressing things. She is not new to the blogging world as she also has another review blog on LJ and a business blog for the goods she sells on Etsy (A Whimsical Adventure)

3. The World of a Rhosewen White Rose 
by a lady I who goes by various names (I usually call her White Rose or Wrosie)
She's also a friend from TLC. She has a bleautiful blog where she writes about various things from reading to writing to sharing favourite songs to reflecting on life and faith. Wrosie is also creates beautiful graphics (a sample of which might be seen on the graphics page of her blog). She has recently started an Etsy shop where she sells prints of her photographs (Rhosewen Faerie).

4. Living to Love (formally "telling it as it is") by Shula
 
She is the daughter of Zambian missionaries to Mozambique and has joined her parents in their community and outreach work. I had the privilege of meeting and working alongside her and her family in 2007 when I went with a group from my church to visit them. Her family really knows what it means to serve God with their whole being and make a difference in the world by doing so. Her blog shares various adventures and thoughts relating to her exciting but challenging life. In the last few posts she shares a little about the recent miraculous recovery of her dad from near death; a story I was privileged to hear recounted from his own mouth.

 This blog is by another one of my TLC friends (also known as Petraverd).  The two of us make up the forum's pair of linguists, although he has a better knowledge of morphology and phonology while I've been trained largely in syntax and psycholinguistics (and am now shifting focus to historical linguistics). Unfortunately he hasn't posted recently on his blog, being particularly busy with life and his new job (here's to hoping the award will produce some further posts). He's also a writer of fiction and plays (having taken part in a good many "National Novel Month" and "Script Frenzy" competitions).

Well that's my list. I recommend you take some time to check out and browse these blogs. I'll be writing a follow-up post shortly in which I list and describe some of my other friends' blogs who didn't make the criteria for being given the award by me, but are worthy and worthwhile blogs none-the-less.

Friday, 26 August 2011

Days 4 (Inspiration) & 9 (Current Project)


This is the third time I am restarting this post from scratch (I feel a bit like Tolkien trying to write the first chapter of Rings, though of course his project was a whole lot more significant).

I figured since my "Susan Fic" is my first serious/intentional piece of writing, I should include these two days' questions together. I thought I would discuss the influences and motivation behind this, "my current writing project". For the most part, however, this post discusses why and how I got started on this project in the first place.

Background
For those who don't know, my "Susan Fic" is about Susan Pevensie from CS Lewis' Chronicles of Narnia series, meaning CS Lewis is my main inspiration for this story. I've already discussed my introductions to Narnia in Day 2. In 2005 (my Grade 12 year) I read the complete Narnia series for the second time. It started in the July holidays when I took the Afrikaans translations of LWW and MN with me on my family trip to Namibia (I knew I wouldn't have much time to study for Matric trials finals that holiday, so by reading some Afrikaans I felt that at least I was doing something constructive and beneficial towards those exams). I went on to read the rest of the books (mainly in English as only the first 4 have been translated) throughout the year. The first Walden Narnia movie (LWW) came out that Christmas.

With Narnia still fresh in my mind, that December I read a Christian book: Harry Potter, Narnia and The Lord of the Rings (what you need to know about fantasy books and movies) by Richard Abanes. I was struck in one section where he quotes Philip Pullman (author of His Dark Materials, who has on occasion been referred to as the "Anti-Lewis") as complaining that "one girl was sent to hell because she was getting interested in clothes and boys."

For those not familiar with the story, The final book in The Chronicles of Narnia, The Last Battle, ends with all the heroes of the previous books finding themselves, to all appearances in Narnia once again. And yet they realise that this is not Narnia (not the Narnia they know). Everything is bigger, more colourful and more "real". They discover that they are actually in Aslan's Country, and that the Narnia they had all known was really just a shadow of the Real Narnia they were in now (a concept undoubtedly inspired by Plato's theory of Forms or Ideas). All the Narnians who found themselves now in Aslan's country were there because the old Narnia had been destroyed. The people from our world, however, (called in this book "The Seven Friends of Narnia") had come into Aslan's Country by another route.

Lucy, Eustace, Jill, Digory and Polly had been travelling on a train (the older ones accompanying Eustace and Jill to school). Edmund and Peter were waiting for them at a train station. As the train rounded a corner near the station, it was coming around too fast. It derailed or toppled or something, causing a massive accident. All of them had died in this accident and now found themselves in Aslan's Country, which it turns out, is in fact our Heaven.

Susan was not involved in the accident however. She had rejected Narnia as she entered her teenage years and no longer even acknowledged it as a real place where she and her siblings had ruled as Kings and Queens.  Jill says that she is "interested in nothing now-a-days except nylons and lipstick and invitations". One can see where Pullman's criticism is coming from, since Aslan's Country is portrayed as such  beautiful place, and she is not allowed to share in it. But he has completely missed the whole point that Lewis is trying to make in this story.

Most of all he makes an assumption that should not be made. Just because Susan does not join her siblings in Aslan's Country at this point in time, it does not mean she is going instead to hell. On the contrary, she does not die in the train crash. She is still very much alive in our world and has an entire life still ahead of her.

In light of Pullman's comment and with the knowledge I had of the story, an idea began to take shape in my mind. There was a little "escape route" that Lewis had left and I thought of a story which could be written to explain how Susan might have turned back towards believing in Narnia and in Aslan and in the One he represents in our world.

The Seed Lies Dormant
So I had this idea, but I felt I had neither the time nor the ability nor the motive to write it. I didn't see myself as an author, and I knew that for copyright reasons should I ever be able to write my idea into a full story, it could never be published. So I filed it away in my memory.

It was at about that time that my family first got an internet connection, so I was almost completely ignorant of the world of internet and the possibilities it contained. About a year later, I discovered TLC, a forum for fans of Narnia, and mentioned my suggestion in one of the threads there about "What happened to Susan". I discovered that I was not the only one who had thought about this question, and not the only one to suggest (or at least hope) that she somehow found her way back and went to Aslan's Country with the rest of her family and friends when she died.

I also discovered the "genre" of Fan Fiction, a concept hitherto unknown to me. I discovered that many people would write pieces inspired by Narnia, not for profit, but simply for the love and fun of it. I discovered many people had already written various fan fiction pieces about Susan and what might have happened to bring her back to believing in the things she had rejected.

But I never did anything about this new-found knowledge. I had neither the time nor patience to work out my idea. And now that I knew so many had already written on the topic before, I wasn't so sure it would be a good idea.

The Seed Spouts
Then in January this year, as the summer holiday was drawing on, but university had not yet started, I was chatting to Geoffrey F at TLC. I complained that the holidays were dragging and I felt I needed to do something constructive. He suggested writing something, and I mentioned the idea I had for a "Susan Fic". He encouraged me to go ahead with it. That is how it began.

Although CS Lewis was my inspiration for my fiction, in terms of the characters, the initial story and the general direction, I would be lying if I said he influenced my writing style. I have great admiration for Lewis' writing style. He has a gift for moulding words and language that I could never hope to emulate. Some minor influences may have filtered through from him (or any of the other authors I spend time reading), but I wouldn't say any one has consciously influenced my writing.

The story and characters on the other hand, are totally Lewis', at least to begin with. I have created many of my own additional characters and an additional world - but the core elements are his.

The inspiration I had all those years ago, the thing I called an "escape route" was this: In The Magician's Nephew, the second-to-last Narnia book Lewis wrote, he introduced the potential for many more worlds besides Narnia and our own world. In this book, Professor Kirke's crazy uncle creates rings which can take someone to a "world between all worlds" from which all the various worlds can be reached. He even has his heroes visiting a different world called Charn before finding their way into Narnia. At the end of this book, the rings are buried so as to never be used again.

In The Last Battle, Edmund and Peter are sent to dig up the burried rings. The friends of Narnia realise that Narnia is in trouble and decide to send Eustace and Jill back there to help them. The rings, however, are never used. Peter and Edmund were to hand them over at the train station where the accident took place. 

It occurred to me, therefore, that the rings would have been on Peter and/or Edmund's person when they died. If found, they would be passed on to Susan, their only surviving relative. She could use the rings to return not to Narnia itself (which is destroyed in The Last Battle), but to one of the countless other worlds which could be reached from the "Wood Between the Worlds". I thought to create a believable world in which Susan would have an adventure through which she might renew the faith she had lost.

That in essense was my idea. Of course, it turned out to be a lot harder than one would think. To begin with, the story was set in England. I had the idea of Susan staying with her Aunt and Uncle, Eustace's parents of whom we know a little from The Chronicles. Setting a book in London in the mid-20th century is rather difficult when you are familiar with neither the place nor the time. Thankfully I got much advice from Narnia Steward on TLC, who is at least familiar with the place if not the time.

After that, I had to invent my own world - which proved to be even more challenging. I wanted to come up with something unlike anything presented in the Chronicles. This was a little difficult considering that throughout The Chronicles adventures are set in woodlands, beaches, mountains, desserts, islands, marshes and snow-covered lands (among others).

I thought of creating a world in which the entire adventure happened under water (a sea-world), but realised that far too many complications would come of that. Eventually I decided to go for a "canyon/table land" type setting. This itself is challenging considering the only such place I have seen is Fish River Canyon in Namibia, and that only for a few hours one late afternoon (with the setting sun in our eyes). I'm getting through it somehow, but I'm sure there are a few major problems and inaccuracies in my setting. The most difficult part that I found is finding the correct terminology for the geological, geographical and biological environment in which it is set.

My next challenge (and one I'm still working on to some extent) is to find an appropriate adventure for Susan. I didn't want it to be cliché, and also didn't want to repeat anything that had happened in the previous Narnian books. This meant that defeating a cruel oppressor, returning the rightful ruler to their place and going on a sea voyage were all out of the question. I thought of a treasure hunt but that's one of the most cliché of all. While rereading one of my favourite books by Stephen Lawhead, I temporarily thought of having them rescue someone. Then I remembered - oh yes, that's what The Silver Chair is all about. I eventually settled on a hunt, but not one for treasure per se. It's not perfect (and I realise now a little too much like the end of The Magician's Nephew, though at least that isn't what the whole book is about), but it will have to do.

Wow, this turned out to be long. But I don't know how else to do it. I know its a little rambly, this post, but I am not rewriting it a fourth time - so there it is. Virtual chocolate prizes will be awarded to anyone who manages to read the entire thing ;-)

Monday, 22 August 2011

Day Three - First Times

Here there be dragons...

Lèrowen's blog: Eat...Sleep...Write

I was going to skip this one because, well technically my SusanFic is my first intentional piece of fictional writing. "Intentional" in that I decided to write it for its own sake, rather than as something prescribed by a teacher. Shocking, I know. But I told you I'm not a writer.

But while I was reading some of my friend's replies to this question, I realised that just because my previous attempts were prescribed, it doesn't mean they were completely without value. I had forgotten just how much I enjoyed creative writing in primary school. It wasn't encouraged quite so much in high school. And with the waning in imagination and growth in knowledge and self-awareness that comes during one's teenage years, my few high school "stories" weren't particularly good. 

Also, while my primary school teachers lauded my creativity and fantastical (i.e. not always realistic) and innocent style of writing, my high school teachers were not so impressed. They wanted something more serious and down-to-earth. My primary school stories never had real villains or evil in them - I was too innocent or ignorant to bring about real danger (which is perhaps why I never pursued writing outside of school - I know know that you can't write a good story like that).

"I first tried to write a story when I was about seven. It was about a dragon. I remember nothing about it except a philological fact. My mother said nothing about the dragon, but pointed out that one could not say "a green great dragon", but had to say  "a great green dragon". I wondered why, and still do. The fact that I remember this is possibly significant, as I do not think I ever tried to write a story again for many years, and was taken up with language." (JRR Tolkien Letters - to WH Auden)

The first story I specifically remember writing in school was in Grade 3, when I was 8. I did write stuff in Grade 2 as well, but that was usually a case of: "stick these pictures in your book and explain what is going on in them", or "listen to this story and then rewrite it in your own words".

We were learning about "the sea" in Grade 3 when we had to write a shipwrecked/rescued type adventure. It even had separate chapters (With a chapter taking up half a page and a massive picture the other half). I still have all my school English and/or Creative Writing books. My mum being a teacher made me keep all my books, especially the books with my stories in. Alas, as Murphy would have it, my Grade 3 book seems to be the only one I can't find. I did find the second half of the story (the centre page of the book had come loose) but without the beginning it makes little sense.

So I had a look at my Grade 4 books instead. I've selected the first "story" in the book which I actually remember writing. There are a couple of earlier pieces but they are either biographical, missing the original context in which we were asked to write them or else they show my complete ignorance and lack of touch with reality at that age - something I would rather not reveal (In one story I stopped an ogre from eating me by offering him multiple pots of mince that I'd miraculously pulled out of thin air O.o)

This one that I will post holds special significance because a friend and I created a dramatised version of it two years later for another school project. It also happens to be about a dragon, and since Tolkien says the first story he remembers writing had a dragon in it - why not?

So this is a taste of what my formative writing was like - not necessarily my first piece:

The Lonely Dragon 
Age 9

There was once a little dragon who lived nowhere, he kept moving. One day he came to a forest. The creatures welcomed him and made him feel at home. (The dragon's name was Spark). This is what the forest was like: There were many types of creatures. There were insects of all kinds such as caterpillars, butterflies and even spiders, worms and bugs. The butterflies and ladybirds liked to flutter about in the treetops. There were also foxes and rabbits that lived in their underground burrows. Weasels, monkeys and other primates were very cheeky and loved playing tricks on the other animals. The forest had lots of trees, that the birds and squirrels liked. Right in the middle was an old oak with four ferns around it. Around the ferns was an opening, but...

...The dragon lived there. Now Spark was a small, cute looking dragon. He was green but had blue eyes and a red nose. I would say he was about three years old but very clever. He had a long, pointy tail, the point was purple so were the spots on his green body (but they were a different shade). The only problem was when ever Spark spoke he puffed a few sparks. This made every body scared of him, so he had no friends. Spark was the loneliest dragon of all. Every day the weasels and primates (Who the creatures called the 'terrible tiresome trouble making ten team', or the T.T.T.T.T.), came and saw the smoke from Spark's breakfast. "Look! Ha ha little dragon's burning his house, ha ha."

One day in winter all the animals were cold, so they called a meeting. "We have to do something," started a baby squirrel..."About the cold," continued he brother. "The dragon too woo woo." said Wiseowl the wise owl. "Rid of the dragon get rid of sparky," said the T.T.T.T.T. or the TEEEE (They said Sparky with a small s).

Out from behind the bush popped Spark. "Go-a a-way," hooted Wiseowl. "To ta tay," said the T.T.T.T.T. Suddenly the whole forest broke into a row, "Go away," "Go away," "Go away." They were making so much noise that they did not see what Spark was doing.

He was lighting a fire. "Oh, it's warm," "Spark did it we are safe." So they danced all night around the fire. "We are all friends, said everyone."

So there is is :-)

Saturday, 20 August 2011

15 Day Writing Challenge

...or something like that


This month, a number of my friends from TLC have taken part in a Challenge started by Lèrowen on her blog Eat...Sleep...Write. Most of my friends who took part are avid writers; two of them have already had books published and others have been writing various writerly things for years: fan-fiction, original fiction and NaNo works.

I'm not a writer like them. I have my "Susan Fic" that I work on during the little spare time I have. I started it as a "keep myself busy in the holidays" project in January, and I don't have much time for more serious fiction writing. But since I enjoyed reading their answers to this challenge (and since some of my other friends have started it late), I'm going to join in too - in part. Since I don't have a writers' history, I won't be able to answer all the questions fairly. So I'm only going to answer the ones that I can, and perhaps more generally than purely from a writer's point-of-view. I hope Lèrowen forgives me for changing it a little.

DAY 2: YOUR FAVOURITE MALE AUTHOR

There are three male authors whose works I love to read. A couple of years ago, I figured out exactly how these three authors fit into my mind and what I admire about them.

JRR TOLKIEN

I first met Tolkien's works in 1999 (before the first Rings movie came out). I spent a fairly large portion of this, my Grade 6 year, working my way through Rings. I didn't finish it then (for reasons that I'm happy to share, but not right now), but that was how I met him. I also read The Hobbit that year and two years later when we had it as one of our Grade 8 set books (very likely my favourite of all the set books I was ever forced to read in school).

Since then, I've grown to Love Tolkien's works more and more. My favourite of his works, to some people's surprise is The Silmarillion. It is in this book (which requires the patience of a number of re-reads and perhaps some volumes of The History of Middle Earth for one to fully appreciate it) that Tolkien's full genius is revealed. He achieved his goal of creating a coherent mythology (complete with a cosmogony, history and geography) in this work. I admire Tolkien greatly for his creativity, skill in "wordcrafting" (a word stolen from either Jenny or Abigail - I'm not sure who coined it first) and commitment to consistency.

I'm not unaware of the fact that I'm partially following in his footsteps (as a person born in South Africa going to study linguistics in Oxford). I couldn't think of many better sets of footsteps to follow, although technically the comparison isn't so concrete as some people have suggested. After all, Tolkien wasn't really South African (he was born in the Orange Free State before the unification of the 4 South African colonies in 1910, and moved to England at a very young age), he wasn't really a Linguist (or rather the meaning of "linguist", and the things linguists study is significantly different to what they were in his day - today we would call him a Philologist). Oh yes, and I'm hardly a genius with words and creative writing abilities. So the similarity is really only a shadow ;-)

Despite my love of Tolkien's works, he does not get the title "favourite (male) author". Instead I will say, however, that he is one of the, if not the, best fictional writers. He was also an exceptionally talented poet. A skill of his which he is generally under-recognised for.

CS LEWIS

I first met CS Lewis through the Chronicles of Narnia at a very young age (so young I can't tell you how old I was). But I remember sitting in the lounge listening to audio tapes of the Chronicles that we'd borrowed from the library on our old cassette tape player. While I remember this, I didn't consciously retain any of the stories. In Grade 4, we had The Magician's Nephew and The Lion the Witch and the Wardrobe as set books. In Grade 9, I finally got around to reading the rest of the series and loved it. During my discipleship course (that I took the year after school) we had to read Part III of Mere Christianity. I'm not terribly fond of reading non-fiction works, but Lewis captivated me so much that I ended up reading the whole book. Since then I've read various of his other non-fiction works in the form of collections of essays (such as Compelling Reason and Fern Seed and Elephants) as well as his Science Fiction "Space Trilogy".

Like his friend Tolkien, Lewis was a master of words. He has a way of manipulating the English language that I can only stand in awe of. I remember that first time I read Mere Christianity noting that you could just "tell" this was the same person who had written the Chronicles. I couldn't point to anything specific, but his style was just so clear. In addition he has such a lovely way of explaining and arguing his points. Some may accuse him of being too anecdotal in his arguments, but that's what I love about him. His arguments are clear and "down to earth" - not overly philosophical (even if in some of his more in-depth works require a fair amount of serious concentration). He knows how to reach the lay audience.

While his fiction works are great, they don't reach quite to the same quality of creativity and coherence that we see in Tolkien's works. It is in his non-fiction work, that Lewis' brilliance truly shines. Here his writing reaches its full potential. For this reason, although he is not my favourite (male) author, he is certainly one of the best, if not the best, non-fiction author of modern times.

MY FAVOURITE

As great as these two men are, neither have the honour of being my favourite male author. This distinction belongs to a lesser-known and sill living man.

STEPHEN R LAWHEAD

It's hard to explain exactly why he takes preference over these other two in my mind, except to say that the other two are so great in their own right. They are names one can look up to and admire. Their works are sheer brilliance. But this makes them a little aloof.  They are the "obvious choice", and I hate going with the obvious choice; with the "crowd". Stephen Lawhead is more real, more tangible.

I actually have a few problems with some of his works, which I won't get into now. But on the whole, he has an exceptional ablility for describing. He's possibly one of the most descriptive authors I've ever come across. I first met him through Taliesin, a story about Atlantis and early Britian which set the stage for the rest of the Pendragon series which deals with Merlin and Arthur. In his books he brings these legends to life before your eyes in a coherent and modern retelling that leaves you caught up in a world of Celtic splendour and dreaming too of the Summer Kingdom.

My favourite of his works, are a slightly older series (one of his first) called the Dragon King series. Unlike many of his later works which are legendary/historical fiction rather than fantasy, this trilogy is set in a completely immaginary world. It is not high fantasy of the faerie kind, and lacks mythological creatures, but is set in a land of kings, knights, heathen priests and skilled wood-folk.

There is something that happened to me the first time I read this series. It spoke to my heart-strings so clearly, that at the end I declared unashamedly: "this is the best series I have ever read". That series alone is largely responsible for Lawhead's rise to the position of favourite in my mind.

I was a little worried about the way some of his more recent books were turning - some of which I even refused to read. One that I did read was called Patrick (about the life of St Patrick). I think I'm not the only one who says that that was quite possibly his worst book. It's the kind of book Eeyore or Puddleglum might enjoy. But unless you want to be seriously depressed, and slightly confused as to exactly what St Patrick's religious beliefs were, I don't recommend it.

Lawhead has, however, since redeemed himself by writing my second favourite of his series: The King Raven Trilogy - about Robin Hood and company (transposed a few generations earlier than their traditional setting). He tried a couple of new things in this series, writing the second book, Scarlet, from the POV of a young man occupying the time as he awaits his execution by narrating the last years of his life to a scribe. Tuck, the third book, is also very different. It is rather shorter than usual and lacks the dream or song-sequences which I consider one of the chief hallmarks of Lawhead's works. I'm still deciding whether I found that omission a relief or disappointment. It gave the book something of a fresh feel.

So there you have it, my three favourite male authors:
Tolkien - Best Fiction Writer
Lewis - Best Non-Fiction Writer
Lawhead - Favourite Author

Sunday, 14 August 2011

Linguistic Conundrums in Narnia

I promised myself I wouldn't get into the language issue in my Susan Fic, but try as I might, I have failed. How can I, in good conscience, motivate a new world that just "happens" to speak the same language as Susan Pevensie?

I thought I had a solution, but I've already hit a snag. My initial idea was to do what Lewis did, and ignore the question completely: the people (or animals) in this new world speak the same language as some kids from England? So what? Deal with it. Accept it. The story works.

I guess it does, but I'm not Lewis, and it's already starting to plague me.

Lewis (or perhaps some of his fans) have explained the situation in Narnia quite eloquently. The saving moments come from one of the last of the books written, The Magician's Nephew. In it we learn that Narnia was created in the presence of some English people: Digory, Polly, Unle Andrew and Frank the Cabby Driver (I won't deal with the question of  Jadis at the moment - after all, she was a witch ;-) ), and the Narnian animals became talking animals in their midst. It was convenient that Aslan would make them speak the same language as the visitors. The first King and Queen of Narnia were English too. Aslan was being practical. Problem solved.

But is it really? I recently had a discussion with some of my TLC friends about how it was that the other people-groups in the greater Narnian world also spoke English. The answer to this is given in Mr Lewis' proposed timeline, created after the completion of The Chronicles. In it we learn that the people of Archenland and Calormen are descendants of King Frank and Helen, the first rulers of Narnia. It is only logical, therefore, that their descendants also speak English. That solves that problem. (I have personal reservations about the fact that the Calormene culture so closely resembles aspects of Eastern cultures - Arabian, Turkish or Indian - as does their physical appearance. I'm not sure how this works if their their ancestry and language is purely English/Narnian. But maybe that's just me, and things can change drastically in 1 000 years. So, I won't make too much of a fuss about that issue).

Another question which arises is how it is that the Telmarines also speak English. We know they are descendants of pirates from our world and the natives of an island in the Southern Sea. The nationality of these pirates is unclear, and various suggestions have been made. The idea that they were Mediterranean, Spanish in particular, has been popular since the release of the Disney Prince Caspian film in 2008. Whatever their native tongue, the argument goes that they picked up English after conquering Narnia, since that was the language spoken there and in the surrounding lands. I wonder over such a suggestion, that the conquerors would pick up the language of their conquered (especially since the conquered included few men and mostly talking animals and other creatures with whom they would have very little to do). But such a situation is not completely unreasonable. It was, after all, the most wide- spread language in that eastern part of the world.

Okay, so here we have a few nice little arguments. All lined up, they explain why English was the language spoken by Narnians, Archenlanders, Calormenes and Telmarines. There I have no problem. But language is not that simple. And here I do have a problem.

Language is not static. It never has been. And despite various desperate attempts, it never will be. Every language has mutiple dialects. And as time passes, languages shift and change. The English language is divided into three time spans: Old English (also called "Anglo-Saxon"), Middle English (the language of Chaucer) and "Modern" English (the language from Shakespeare's time until today).

And one only needs to look at the language of Shakespeare to realise that it will not be long before people will accept that Shakespeare's English and that spoken by present day society is hardly the same language at all. Within the next generation I foresee a new category of English: Post-Modern? O.o (lets hope they coin a better name for it).

In sociolignuistics, we learn about two things that lead to the creation of dialects: geographical separation and societal seporation. Add to this temporal seporation and we have three important factors.

People that live in different places, different social groups and different times, (even those who started out speaking the "same" language) adapt their the way they speak to suit their needs. The further apart in space, society and time, the more different their speech becomes. This is why we have the phenomenon we call "dialects". And the longer and more distant the separation between groups that speak different dialects, the more different those varieties of the language become. Given enough separation and time, the dialects eventually loose their "mutual intelligibility". This is the ability of speakers of the one variety (dialect) to naturally understand speakers of the other.

One needs simply to look at the English of Britain and that of America (or Australia or South Africa or India etc.) to see evidence of dialectal differences. Thanks to global connexions brought about through modern technology, these dialects are still mutually intelligible. This is not the case for languages that started out as dialects of Latin. French, Spanish and Italian, though they bear some resemblance to each other, were once mutually intelligable dialects spoken by different groups. Separation has lead them to the point of diverstion they are at today.

So what does this have to do with Narnia? The answer is simple. While I can accept that Narnians first spoke the English of Digory and his companions, how do we explain that when the Pevensies arrived, the creatures of Narnia speak the exact same form of English, the same "dialect" they had spoken 1 000 years ago. That would be equivalent to discovering that, Chaucer's English was actually exactly like ours (and the stuff he wrote was him just having a bit of fun).

It's not possible. Even if we were to argue that language changed more slowly in Narnia, that the White Witch's presence kept language more static. Even an individual's language changes over their life-span. I'm pretty sure that hers would have changed a little in 1 000 years. Even if 1 000 years had passed in our world between the creation of Narnia and the Pevensie's visit, we would expect the English in Narnia to have diverged significantly from the way English had shifted in our world. But there is only one generation between the two visits of English children in Narnia. The English spoken by the Pevensies is not mouch different to that spoken by Digory and Polly or Frank and Helen. But how is it that Mr Tumnus and Mr and Mrs Beaver, speak the same form of English that their ancestors, the crow who was the "first joke" and "Fledge" spoke?

Taking this further, we would expect the Calormenes, living cut-off from Narnia during the 100 year winter, to speak yet another dialect of English. There is no evidence of this beyond slight "stylistic" peculiarities in their speech (and generally only their formal speech). There should be differences in vocabulary, semantics and even possibly grammar after all these years. The Telmarines, if they did speak another language and picked up English from their Narnian captives, should at least have had some affect on changing the language. Look what happened with the Norman invasion. Why don't we see a similar influence by Spannish or "Telmarinian" on the language of the Narnians? They would have at least contributed significantly to the vocabulary. After all English loves to pick up vocabulary from other languages.

And so I find myself in a pickle (no not a hedgepickle, but a linguistic pickle). Not only do I take issue with Lewis' explanations for the language in Narnia, but how in the world (or worlds) do I motivate that 20th Century English is also the language spoken the the world I created for my Susan Fic? There is probably some solution. I'm writing the story for fun, not as a serious writer, and so I could probably go back to my original plan and just "ignore the issue". It may require a few changes to my plot. The reason language is about to become important is because the creatures have a mysterious scroll Susan must interpret. I'll make a plan on that. But there you are. A puzzle indeed. Sometimes I wish I didn't "think" so much! ;-)

PS. CS Lewis is one of my favourite and most respected authors. He himself had an amazing intellect and a way with language that I could never emulate. He does much better justice to the language issue in his Sci-Fi trilogy. I know the Narnia stories were written for children, which is why he doesn't address complicated linguistic questions there. And these questions really take nothing away from the brilliancy of the stories. Some may wonder at all why I even bother to ask them at all. It's only because they interest me and are messing with my own writing. Selfish reasons completely.